Timeout for Art: Adjustments

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I spent some time last week kind of giddily shredding and weaving painted papers together. I then followed up by mounting the woven papers on to painted supports. This week, the – less-fun-but-more-important – item on the agenda was to work at pulling it all together.

I want to preserve the colors of the woven papers as well as the painted backgrounds. I do not want it to appear that two totally disparate elements have been mushed together. I want there to be some chemistry there, between the background and foreground. Maybe that means down-playing or subverting the weaving, so that the background pops. Maybe it’s in subduing the background to let the woven papers take center stage. I think the answer lies in some combination that will allow both to show to their best advantage.

One idea was to add an additional layer of pattern over the entire surface, to make both other elements seem secondary to the whole. Another was to darken the edges of the woven papers, and the background around them. That’s the idea I tried, by rubbing paint selectively around the woven panels. So far, it’s all just an exploration or possible solutions. Nothing wondrous yet.

About cindyricksgers

I am an artist. I live on an island in northern Lake Michigan, USA. I have two grown daughters, four strong, smart and handsome grandsons and one beautiful, intelligent and charming granddaughter. I live with two spoiled dogs. I love walking in the woods around my home, reading, writing and playing in my studio.

2 responses »

  1. Funny that you mentioned rubbing paint, as last week I ‘painted’ some black and white zebra sheets for the bed.. and turned the white to green….. With plastic on the floor, I put the wet sheets down and poured the acrylics on them, and realized quickly it was easiest to squeeze/ rub, direct the colors with my hands… My nails stayed green for days!!!!!! The sheets look pretty good, btw, and they’ll match the curtains which are green/beige botanical designs….

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